The Bay Effect
Meaghan Walsh
FSP 10106
November 25, 2008
Over the past decade, Michael Bay has proved himself as a notable manager through his remarkable special effects and use of cinematic storytelling. Academic Critic Kent J iodines of the Film hunting lodge of Lincoln Center insists that¸ “Bay’s ruthlessly maximalist glide slope to the job of filmmaking has less to do with the destruction of a valued old idea of cinema than the construction of a broad(a)-page new one” (Jones). Together with producer Jerry Bruckheimer, Bay has direct all hit action/adventure blockbusters with romantic side-plots with Disney employment companies. His three biggest films, The Rock, Armageddon, and Pearl Harbor, grossed a cumulative 1.4 billion dollars worldwide. With his films broadly being geared towards a younger audience from teenagers to the young twenties, he started out, as a “popcorn” film director with 1996’s The Rock and 1998’s Armageddon.
After being quite successful, he wanted to establish himself as a more serious filmmaker and took on the project of turning one of the infamous days in the nation’s record into an unforgettable cinematic experience. Michael Bay’s ability to enhance his audience’s emotional responses to his films through his cinematic techniques such as color, sound, special effects, and editing, has evolved from his “popcorn” films, The Rock and Armageddon, to his more serious film, Pearl Harbor.
In his films preceding Pearl Harbor, he had successfully captured the audience’s attention and through his filming style managed to establish emotion reactions that allowed...If you want to get a full essay, order it on our website: Ordercustompaper.com
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