Mothers in Shakespeare

1. The beginnings of a Motherless population or The crime against love as humanity When we ar born, we cry that we are come To this expectant stage of fools. -- William Shakespeare, King Lear We wordly man force-out Have miserable, mad, identify eyes. -- William Shakespeare, Titus Andronicus The passkey mythology of the matriarchal society was that of the Goddess Earth in her ternary aspects: the gabardine Goddess of birth and growth, the red Goddess of war and battle and the erosive Goddess of finish and divination, praised and respected by men as her intelligences and lovers. She was the embodiment of the power of Space, Time and Matter within whose bounds solely eject and die, the substance of body, configurator of disembodied spirit and thought, receiver of the deathly for spiritual rebirth . This was a mythology of unity, the Goddess was the Goddess of Complete Being, and man belonged to the cycles of nature as give-and-take and lover of the Goddess. In the course of time, however, the mythology was transformed, reinterpreted and eventually suppressed. The Goddess was demonized and men sullen into her masters. From the moment Antaeus, son of Gea, was weaned remorselessly by Hercules, son of Zeus, the Cogito ergo sum principle became the overpowering force in the world and the original contact with Undine was severed for good. What William Shakespeare tries to show us are tragic consequences of the myth of love substituted by the myth of power, control and materialism. much(prenominal) view of life reduced to a simple dance band of objects J.C. Ransom calls Platonism. It is above all predatory for it translates the complexness of life to a set of manageable formulas, it is an impulse to experience and engage the richness of life out of fear that much(prenominal) complexity power annihilate our... If you want to get a full essay, pitch it on our website: OrderCustomPaper.com

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