Kate Chopin and the Cult of True Womanhood. Brief essay in response to "What does Kate Chopin's 'The Storm' tell us about gender roles in the late 19th century?

While Kate Chopins The Storm serves to juxtapose commonly herald viewpoints of 19th hundred sexual practice roles, the storys themes and characters offer supposition regarding the true nature of familiar repression. During the time of this storys conception, the campaign of female inferiority held its greatest consultation in what was commonly referred to as the Cult of True fair sex. In The Storm, as well as in many new(prenominal) short stories, Chopin used the literary medium to counter, if not attack, the rationale ideas behind the Cult of True Womanhood, often by whirl the syntax and semantics of etiquette with the nature of human emotion.

During the late 1800s, as a popularly accepted political agenda, the Cult of True Womanhood sought to define the gender roles throughout the paradigm replacement of the (pre) Industrial Revolution. As the workload became to a greater extent demanding, husbands began to spend more time away from the home. This, combined with the decreasing need for the exclusive family to supply its own raw materials, transferred the believed savage nature of corporeal labor to the cutthroat business world. Thus, women were meant for the home, as it was overly poisonous in the general world. This viewpoint differs from previously accepted gender role campaigns in that beforehand, women were thought to embody uncontrollable raunchy impulses, which needed superior rational male guidance and one-man rule to manage.



The Cult of True Womanhood changed this perspective by initiating the whimsey that woman were the highest form of purity, void of impetuous sexual desires. In contrast, men actually possessed the uncontrollable lustful impulses. Therefore, woman, too gentle by nature, needed sanctuary (the home) to guard their qualification to the lust of men.

Four ideals cornered this new approach: Purity, Piety, Submissiveness, and Domesticity (Lavender, 2). According to the dogma of the Cult of True Womanhood,

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