There are many different ways in which HG Wells builds up accent and indecision in The going Room. One way in which he does this is through the give of language. One of the main effective uses of language in The red ink Room is the use of personification; made the iniquitys cower and quiver. The shadow embeds fright into the reader, as they wonder if the shadow is alive, which creates tension as the reader wonders what give happen next. Furthermore, the fact that the phrase makes it calculate that the shadows are scared of something, and the reader would normally associate shadows with lightlessness and fear, makes the reader get uneasy and heightens tension. It is almost as if fear is afraid of fear itself. The setting of the story to a fault creates tension and suspense; the great red board of Lorraine Castle, in which the untried duke died. The fact that it is set in a castle is not only typical of a gothic genre, but it builds suspense by saying; in which the young duke died. This makes the reader feel that death is imminent. It heightens tension as it makes the reader feel as if the narrator will die at the end of the story.
Dialogue is also used by the author to create tension.
At offset the narrator is sceptical and doubtful about the red room and its alleged supernatural powers; I can assure you ... that it will take a very tangible ghost to browbeat me. His arrogant behaviour creates uneasiness in the readers mind as it is typical in a Gothic story for the smug, non-believer to be the first victim of the story. However, as the story continues, we see that on that point is very little dialogue in the later part of the story.
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